{"id":862,"date":"2014-03-25T17:14:42","date_gmt":"2014-03-25T15:14:42","guid":{"rendered":"http:\/\/www.mikomma.de\/pub\/?page_id=862"},"modified":"2014-03-25T21:32:36","modified_gmt":"2014-03-25T19:32:36","slug":"lieder-und-gesaenge","status":"publish","type":"page","link":"http:\/\/www.mikomma.de\/pub\/werk\/lieder-und-gesaenge\/","title":{"rendered":"Lieder und Ges\u00e4nge"},"content":{"rendered":"<p align=\"center\"><b>6.\u00a0 Lieder und Ges\u00e4nge<\/b><\/p>\n<p align=\"center\">\u00a0\u00a0\u00a0\u00a0\u00a0 <b>Werke f\u00fcr Gesang und Klavier<\/b><\/p>\n<p><b>Vier fr\u00fche Lieder<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach G. Maa\u00df, W. Klaband, J. Weinheber und C. Brentano<br \/>\n1931\/48\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (8 Min.)<\/p>\n<p><b>Vier Lieder<br \/>\n<\/b>f\u00fcr mittlere Singstimme und Klavier<br \/>\nnach Gedichten von J. Wein-heber<br \/>\n1936\/37\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (8:30 Min.)<br \/>\n<i>Ullmann, 1938\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/i><\/p>\n<p><b>Drei Ges\u00e4nge<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach Gedichten von F. H\u00f6lderlin<br \/>\n1939\/40\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (8:30 Min.)<\/p>\n<p><b>Partita<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach C. Brentano<br \/>\n1946\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (4 Min.)<\/p>\n<p><b>Urworte<br \/>\n<\/b>f\u00fcr Alt und Klavier<br \/>\nnach J. W. von Goethe<br \/>\n1944<\/p>\n<p><b>Zwei Ges\u00e4nge<br \/>\n<\/b>f\u00fcr Mezzosopran und Klavier<br \/>\nnach J. W. von Goethe<br \/>\n1948\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (5 Min.)<\/p>\n<p><b>Drei Lieder<br \/>\n<\/b>f\u00fcr Bariton und Klavier<br \/>\nnach R. M. Rilke und J. Weinheber<br \/>\n1950\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (9 Min.)<\/p>\n<p><b>Im Herzen der Menschen<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach L\u00fc Bu We<br \/>\n1950\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (3 Min.)<\/p>\n<p><b>Liederbuch aus B\u00f6hmen<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nzw\u00f6lf Ges\u00e4nge nach verschiedenen Dichtern<br \/>\n1951\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (34 Min.)<br \/>\n<i>Leuckart, 1953, F. E. C. L. 9983\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/i><\/p>\n<p><b>David singt vor Saul<br \/>\n<\/b>f\u00fcr Alt und Klavier<br \/>\nDrei Ges\u00e4nge nach R. M. Rilke<br \/>\n1953\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (9 Min.)<\/p>\n<p><b>Die Liebe<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nin: \u201cLieder und Ges\u00e4nge nach Dichtungen von F. H\u00f6lderlin\u201c<br \/>\n1954\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (4 Min.)<br \/>\n<i>J. C. B. Mohr, 1967, S. 58 &#8211; 61<\/i><\/p>\n<p><b>Vier Ges\u00e4nge<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach Gedichten von H. von Hofmannsthal<br \/>\n1956\/57\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (8 Min.)<br \/>\n<i>CD Fellner-K\u00f6berle<\/i><b>\u00a0<\/b><\/p>\n<p><b>Lob des Weines<br \/>\n<\/b>f\u00fcr Tenor und Klavier<br \/>\nzw\u00f6lf Gedichte von G. Britting<br \/>\n1959\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (25 Min.)<br \/>\n<i>Editio Propria, 1987, EPR 1009<br \/>\n<\/i><i>LP Studio 74 KL 001<\/i><\/p>\n<p><b>Wer r\u00fchrt ans Pf\u00f6rtlein<br \/>\n<\/b>f\u00fcr Bariton und Klavier<br \/>\nnach J. Weinheber<br \/>\n1966\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (2 Min.)<\/p>\n<p><b>Der Tod des Orpheus<br \/>\n<\/b>f\u00fcr Bariton und Klavier<br \/>\n1966\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (3 Min.)<\/p>\n<p><b>Zwei Balladen<br \/>\n<\/b>f\u00fcr Bariton und Klavier<br \/>\nnach eigenen Texten<br \/>\n1966\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (6 Min.)<\/p>\n<p><b>Drei Lieder<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach G. Britting<br \/>\n1970\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (6 Min.)<\/p>\n<p><b>Drei Ges\u00e4nge<br \/>\n<\/b>f\u00fcr mittlere (hohe) Stimme und Klavier<br \/>\nnach F. H\u00f6lderlin<br \/>\n1970\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<br \/>\n<i>Editio Propria, 1986, EPR 1010 <\/i><\/p>\n<p><b>F\u00fcnf Ges\u00e4nge<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach Fragmenten von F. H\u00f6lderlin<br \/>\n1975\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<br \/>\n<i>Editio Propria, 1986, EPR 1011<br \/>\n<\/i><i>LP Signum SIG 017-00<br \/>\n<\/i><i>CD BR 100 048<\/i><b>\u00a0<\/b><\/p>\n<p><b>Vier Lieder<br \/>\n<\/b>f\u00fcr mittlere Stimme und Klavier<br \/>\nnach P. Celan<br \/>\n1976\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (9 Min.)<br \/>\n<i>Editio Propria, 1987, EPR 1012<br \/>\n<\/i><i>LP audite FSM 63 412 aud<\/i><\/p>\n<p><b>Drei Ges\u00e4nge<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach H. von Hofmannsthal<br \/>\n1978\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (9 Min.)<\/p>\n<p><b>Vier Gedichte<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach P. H\u00e4rtling<br \/>\n1980\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (8 Min.)<br \/>\n<i>Editio Propria, 1987, EPR 1013<br \/>\n<\/i><i>CD BR 140 002\/3<\/i><\/p>\n<p><b>Drei Lieder<br \/>\n<\/b>f\u00fcr Bariton und Klavier<br \/>\nnach Gedichten von J. M\u00fchlberger<br \/>\n1983\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (4 Min.)<\/p>\n<p><b>\u201eSchw\u00e4bische Alb\u201c<br \/>\n<\/b>f\u00fcr Bariton und Klavier<br \/>\ndrei Lieder nach P. H\u00e4rtling<br \/>\n1986\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (3:30 Min.)<br \/>\n<i>CD BR 100 047<br \/>\n<\/i><i>CD BR 140 002\/3<\/i><\/p>\n<p><b>An die Madonna<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\naus den hymnischen Entw\u00fcrfen von F. H\u00f6lderlin<br \/>\n1987\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (11 Min.)<\/p>\n<p><b>Sieben Lieder<br \/>\n<\/b>f\u00fcr Bariton und Klavier<br \/>\nnach F. R\u00fcckert<br \/>\n1988\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (11 Min.)<br \/>\n<i>LP BR 30 045<br \/>\n<\/i><i>CD BR 100 045<\/i><\/p>\n<p><b>Vier Lieder<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach M. Hannsmann<br \/>\n1988\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (6 Min.)<\/p>\n<p><b>Vier Ges\u00e4nge<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach F. H\u00f6lderlin<br \/>\n1989\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (20 Min.)<\/p>\n<p><b>Sechs Volkslieder aus dem Franz\u00f6sischen<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnachgedichtet von M. Hausmann<br \/>\n1991\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (9 Min.)<\/p>\n<p><b>F\u00fcnf gesellige Lieder<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach J. W. von Goethe<br \/>\n1992\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (11 Min.)<\/p>\n<p><b>Drei Lieder<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach Gedichten von P. H\u00e4rtling<br \/>\n1993\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (5 Min.)<br \/>\n<i>CD BR 140 002\/3<\/i><\/p>\n<p><b>Drei Balladen<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach eigenen Texten<br \/>\n1995\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<br \/>\n<i>CD RL-Nr. 10 002<\/i><\/p>\n<p><b>Japanisch-deutsche Jahreszeiten<br \/>\n<\/b>f\u00fcr Alt und Klavier<br \/>\nnach Texten des Komponisten<br \/>\n1995\/98\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (18:30 Min.)<\/p>\n<p><b>Vier Nonsens-Songs<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach J. W. von Goethe und Endrikat<br \/>\n1996\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (7 Min.)<b>\u00a0<\/b><\/p>\n<p><b>Mit Schubert gesungen<br \/>\n<\/b><b>Drei Lieder<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\n1997\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (8 Min.)<\/p>\n<p><b>Vier Xenien<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach J. W. von Goethe<br \/>\n1999\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (8:30 Min.)<\/p>\n<p><b>Sechs Lieder der Sappho<br \/>\n<\/b>f\u00fcr mittlere Stimme und Klavier<br \/>\n2001\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<\/p>\n<p><b>F\u00fcnf Ges\u00e4nge<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach E. M\u00f6rike<br \/>\n2003\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (9 Min.)<\/p>\n<p><b>Quatre Po\u00e8mes de Victor Hugo<br \/>\n<\/b>f\u00fcr Kontraalt und Klavier<br \/>\n2004\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (7 Min.)<\/p>\n<p><b>M\u00e9lop\u00e9es Exotiques<br \/>\n<\/b>f\u00fcr Alt und Klavier<br \/>\nnach volkssprachlichen Texten<br \/>\n2004\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (15 Min.)<\/p>\n<p><b>Sieben Epigramme<br \/>\n<\/b>f\u00fcr Sopran und Klavier<br \/>\nnach F. Schiller<br \/>\n2005\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<\/p>\n<p><b>Douze Chansons de Senghor<br \/>\n<\/b>f\u00fcr Alt und Klavier<br \/>\n2005\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (24 Min.)<\/p>\n<p align=\"center\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <b>Duette mit Klavier<\/b><\/p>\n<p><b>Sechs Fabeln<br \/>\n<\/b>f\u00fcr Sopran, Bariton und Klavier<br \/>\nnach L. da Vinci<br \/>\n1971\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (8 Min.)<br \/>\n<i>LP ST KL 001<\/i><\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\"><b>\u00a0Werke f\u00fcr Gesang und Orgel<\/b><\/p>\n<p><b>Vier geistliche Lieder<br \/>\n<\/b>f\u00fcr Alt und Orgel<br \/>\nnach M. Claudius<br \/>\n1947\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (12 Min.)<\/p>\n<p><b>Vier Ges\u00e4nge der Engel<br \/>\n<\/b>f\u00fcr Alt und Orgel<br \/>\naus der Offenbarung des Johannes<br \/>\n1948\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (15 Min.)<\/p>\n<p><b>Drei geistliche Konzerte<br \/>\n<\/b>f\u00fcr Alt und Orgel<br \/>\n1957\/62\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (13 Min.)<br \/>\n<i>D\u00f6ring, MD 423<\/i><\/p>\n<p><b>Die Verk\u00fcndigung<br \/>\n<\/b>f\u00fcr Mezzosopran und Orgel<br \/>\n1967\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (3 Min.)<br \/>\n<i>D\u00f6ring, MD 424<br \/>\n<\/i><i>LP Corona SM 30 029<br \/>\n<\/i><i>LP MHS 3680<\/i><\/p>\n<p><b>Drei Ges\u00e4nge<br \/>\n<\/b>f\u00fcr Sopran und Orgel<br \/>\naus der Offenbarung des Johannes<br \/>\n1988\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (9 Min.)<\/p>\n<p><b>Psalm 150<br \/>\n<\/b>f\u00fcr zwei Soprane und Orgel<br \/>\n2001\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (4 Min.)<\/p>\n<p><b>Canticum Salomonis<br \/>\n<\/b>f\u00fcr Sopran und Orgel<br \/>\n\u201eSetze mich wie ein Siegel\u201c<br \/>\n2004\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (5 Min.)<\/p>\n<p><b>Ave Maria<br \/>\n<\/b>f\u00fcr Bariton und Orgel<br \/>\n2005\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (4 Min.)<\/p>\n<p align=\"center\">\u00a0\u00a0\u00a0\u00a0\u00a0 <b><br clear=\"all\" \/> Werke f\u00fcr Gesang und mehrere Instrumente<\/b><\/p>\n<p><b>Die Talismane<br \/>\n<\/b>f\u00fcr Sopran, Violine und Klavier<br \/>\nnach J. W. von Goethe<br \/>\n1943\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (12 Min.)<\/p>\n<p><b>Die Sonnenuhr<br \/>\n<\/b>f\u00fcr Alt, Viola und Cembalo (Klavier)<br \/>\nsechs Ges\u00e4nge nach J. Weinheber<br \/>\n1952\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (14 Min.)<\/p>\n<p><b>Drei alt\u00e4gyptische Liebeslieder<br \/>\n<\/b>f\u00fcr Sopran, Altblockfl\u00f6te, Viola da Gamba (Viola) und Cembalo<br \/>\nnach A. M. Miller<br \/>\n1954\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (11 Min.)<\/p>\n<p><b>Sechs korsische Lieder<br \/>\n<\/b>f\u00fcr Alt und Viola<br \/>\n1964\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<\/p>\n<p><b>Drei Ges\u00e4nge<br \/>\n<\/b>f\u00fcr Sopran, Fl\u00f6te und Klavier<br \/>\nnach C. Brentano<br \/>\n1965\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (11 Min.)<br \/>\n<i>LP ST KL 001<\/i><\/p>\n<p><b>Magnificat<br \/>\n<\/b>f\u00fcr Sopran, Fl\u00f6te, Oboe, Viola, Violoncello, Kontrabass und Schlagwerk oder Orgel<br \/>\n1965\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (15 Min.)<br \/>\n<i>H\u00e4nssler, 1978 \/ 1992 Carus, CV 10.292<br \/>\n<\/i><i>LP Corona SM 30 029<br \/>\n<\/i><i>LP MHS 3680<\/i><\/p>\n<p><b>Musik, sechs Definitionen<br \/>\n<\/b>f\u00fcr Mezzosopran, Fl\u00f6te und Klavier<br \/>\n1968\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (20 Min.)<\/p>\n<p><b>Marienklage<br \/>\n<\/b>f\u00fcr Alt, Fl\u00f6te, Violoncello und Cembalo (Orgel)<br \/>\n1976\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (14 Min.)<\/p>\n<p><b>Rondo<br \/>\n<\/b>f\u00fcr Bariton, zwei Klarinetten und Fagott<br \/>\nnach schw\u00e4bischen Sprichw\u00f6rtern<br \/>\n1979\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (5 Min.)<\/p>\n<p><b>Ihr guten St\u00e4dte<br \/>\n<\/b>f\u00fcr Sopran, zwei Fl\u00f6ten, zwei Klarinetten (Bassklarinette), Fagott und Streichquintett<br \/>\nnach F. H\u00f6lderlin<br \/>\n1986\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (9 Min.)<br \/>\n<i>CD BR 100 048<\/i><\/p>\n<p><b>Vier Lieder<br \/>\n<\/b>f\u00fcr Bariton, Blockfl\u00f6ten und Trommeln<br \/>\nnach schw\u00e4bischen Minnes\u00e4ngern<br \/>\n1987\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (7 Min.)<\/p>\n<p><b>An die Madonna<br \/>\n<\/b>f\u00fcr Sopran, zwei Fl\u00f6ten, zwei Klarinetten (Bassklarinette) und Streichquintett<br \/>\nnach F. H\u00f6lderlin<br \/>\n1988\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (11 Min.)<\/p>\n<p><b>Fr\u00fchling<br \/>\n<\/b>f\u00fcr Sopran, zwei Fl\u00f6ten, Klarinette, zwei Klaviere, Streichorchester und Sprecher<br \/>\nVariationen \u00fcber ein Thema\u00a0 von V. Ullmann<br \/>\nText von K. M. Komma<br \/>\n1988\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (20 Min.)<b>\u00a0<\/b><\/p>\n<p><b>Das gro\u00dfe Licht<br \/>\n<\/b>f\u00fcr Bariton, Streicher und Orgel<br \/>\n1990\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (9 Min.)<\/p>\n<p><b>Novalis-Fragmente<br \/>\n<\/b>f\u00fcr zwei Soprane, Fl\u00f6te, Violine und Horn<br \/>\n1991\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (12 Min.)<\/p>\n<p><b>Salve Regina<br \/>\n<\/b>f\u00fcr Sopran und Streichquartett<br \/>\n1991\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (13 Min.)<\/p>\n<p><b>R\u00e9flexions sur Dufay<br \/>\n<\/b>f\u00fcr Mezzosopran, Traversfl\u00f6te, Alt- und Tenorkrummhorn<br \/>\n1991\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (5 Min.)<\/p>\n<p><b>F\u00fcnf deutsche Lieder aus M\u00e4hren<br \/>\n<\/b>f\u00fcr Sopran, Klarinette und Klavier<br \/>\n1991\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (12 Min.)<br \/>\n<i>CD Trojan<\/i><\/p>\n<p><b>Es geht vorbei<br \/>\n<\/b>f\u00fcr Sopran und sieben Instrumente<br \/>\n1992\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (4:30 Min.)<\/p>\n<p><b>Elegie<br \/>\n<\/b>f\u00fcr Sopran, Fl\u00f6te und Gitarre nach F. H\u00f6lderlin (\u201eHeimkunft\u201c)<br \/>\n1992\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<\/p>\n<p><b>Es hat alles seine Zeit<br \/>\n<\/b>f\u00fcr Sopran, Tuba und Orgel<br \/>\nnach Prediger 3.1<br \/>\n1994\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (6 Min.)<\/p>\n<p><b>Bulgarische Lieder<br \/>\n<\/b>f\u00fcr Sopran und Klarinette<br \/>\nnach Volksliedtexten<br \/>\n2002\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (6 Min.)<b>\u00a0<\/b><\/p>\n<p><b>Spr\u00fcche des Konfuzius<br \/>\n<\/b>f\u00fcr Sopran, Alt, Tenor, Fl\u00f6te, Klarinette, Fagott, Violine, Viola und Violoncello<br \/>\n2004\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (15 Min.)<\/p>\n<p align=\"center\"><b>Werke f\u00fcr Gesang und Orchester<\/b><\/p>\n<p>\u00a0<b>F\u00fcnf Ges\u00e4nge<br \/>\n<\/b>f\u00fcr mittlere Singstimme und Orchester<br \/>\nnach Gedichten von F. H\u00f6lderlin<br \/>\n1939\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (16 Min.)<br \/>\n<i>Ullmann, 1939<\/i><\/p>\n<p><b>Vier Ges\u00e4nge<br \/>\n<\/b>f\u00fcr Sopran und gro\u00dfes Orchester<br \/>\nnach Gedichten von F. H\u00f6lderlin<br \/>\n1989\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (20 Min.)<\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\">\u00a0\u00a0\u00a0\u00a0\u00a0 <b>Werke f\u00fcr Sprechstimme und Instrumente<\/b><\/p>\n<p><b>Narkissos<br \/>\n<\/b>f\u00fcr zwei Sprecher, zwei Fl\u00f6ten, Celesta, zwei Bongos, Triangel, Becken und Gongs<br \/>\n1969\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (11 Min.)<\/p>\n<p><b>Drei Klangstudien<\/b> <b>zu F. H\u00f6lderlin<br \/>\n<\/b>f\u00fcr Sprechstimme und Klavier<br \/>\nin: \u201eH\u00f6lderlin-Jahrbuch 1969\/70\u201c<br \/>\n1970\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (5 Min.)<br \/>\n<i>Mohr, 1972, S. 137 &#8211; 141<\/i><b>\u00a0<\/b><\/p>\n<p><b>Der gro\u00dfe Trommler<br \/>\n<\/b>f\u00fcr Sprechstimme, Klarinette, Fagott, Trompete, Posaune, Violine, Kontrabass, Klavier und Schlagzeug<br \/>\nnach Fragmenten von H. Heine<br \/>\n1989\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (25 Min.)<\/p>\n\n<script>\nvar zbPregResult = '0';\n<\/script>\n","protected":false},"excerpt":{"rendered":"<p>6.\u00a0 Lieder und Ges\u00e4nge \u00a0\u00a0\u00a0\u00a0\u00a0 Werke f\u00fcr Gesang und Klavier Vier fr\u00fche Lieder f\u00fcr Sopran und Klavier nach G. Maa\u00df, W. Klaband, J. Weinheber und C. Brentano 1931\/48\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (8 Min.) Vier Lieder f\u00fcr mittlere Singstimme und Klavier nach Gedichten von [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":126,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-862","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/pages\/862","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/comments?post=862"}],"version-history":[{"count":6,"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/pages\/862\/revisions"}],"predecessor-version":[{"id":889,"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/pages\/862\/revisions\/889"}],"up":[{"embeddable":true,"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/pages\/126"}],"wp:attachment":[{"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/media?parent=862"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}