{"id":875,"date":"2014-03-25T17:52:59","date_gmt":"2014-03-25T15:52:59","guid":{"rendered":"http:\/\/www.mikomma.de\/pub\/?page_id=875"},"modified":"2016-03-13T18:28:37","modified_gmt":"2016-03-13T16:28:37","slug":"kammermusik","status":"publish","type":"page","link":"http:\/\/www.mikomma.de\/pub\/werk\/kammermusik\/","title":{"rendered":"Kammermusik"},"content":{"rendered":"<p align=\"center\"><b>4.\u00a0 Kammermusik<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b>Musik<br \/>\n<\/b>f\u00fcr Blechbl\u00e4ser<br \/>\n1938\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (6 Min.)<br \/>\n<i>Ullmann<\/i><\/p>\n<p><b>Zweite Sonate<br \/>\n<\/b>f\u00fcr Violine und Klavier<br \/>\n1950\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (25 Min.)<b><br clear=\"all\" \/> <\/b><\/p>\n<p><b>Sonate<br \/>\n<\/b>f\u00fcr Klarinette und Klavier<br \/>\n1952\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (16 Min.)<\/p>\n<p><b>Erstes Quartett<br \/>\n<\/b>f\u00fcr Fl\u00f6te, Violine, Viola und Violoncello<br \/>\n1955\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (14 Min.)<\/p>\n<p><b>Divertimento<br \/>\n<\/b>f\u00fcr Fl\u00f6te, Oboe, Klarinette, Horn und Fagott<br \/>\n1955\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (15 Min.)<br \/>\n<i>Ichthys, 1957, Ed. Nr. 242<\/i><br \/>\n<a href=\"http:\/\/www.ikuroedition.de\/autoren\/komma-karl-michael\/146\/divertimento-fuer-floete-oboe-klarinette-horn-und-fagott-1955?c=2244\" target=\"_blank\">IKURO Edition<\/a><\/p>\n<p><b>Sonatine<br \/>\n<\/b>f\u00fcr Altblockfl\u00f6te und Cembalo (Fl\u00f6te und Klavier)<br \/>\n1957\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (12 Min.)<br \/>\n<i>Ichthys, 1959, Ed. Nr. 233<br \/>\n<\/i><i>LP Corona SM 30 072<\/i><\/p>\n<p><b>Septett<br \/>\n<\/b>f\u00fcr Klarinette, Horn, Fagott, Violine, Viola, Violoncello und Kontrabass<br \/>\n1960\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (18 Min.)<\/p>\n<p><b>Zweites Quartett<br \/>\n<\/b>f\u00fcr Fl\u00f6te, Violine, Viola und Violoncello<br \/>\n\u201eGespr\u00e4che mit Mozart\u201c<br \/>\n1961\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (19 Min.)<\/p>\n<p><b>Kleine Suite<br \/>\n<\/b>f\u00fcr Blockfl\u00f6tenquartett oder andere Instrumente<br \/>\nnach J. S. Bachs Klavierb\u00fcch-lein f\u00fcr A. M. Bach<br \/>\n1961\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (15 Min.)<br \/>\n<i>H\u00e4nssler, 1969 \/ 1992 Carus, CV 11.109<\/i><\/p>\n<p><b>Drei Duette<br \/>\n<\/b>f\u00fcr zwei Violoncelli<br \/>\nin: S. Hirzel\u00a0 \u201eVioloncello-Schule IV\u201c<br \/>\n1963\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<br \/>\n<i>B\u00e4renreiter, 1966, BA 3744<\/i><\/p>\n<p><b>Drei Phasen<br \/>\n<\/b>f\u00fcr zwei Altblockfl\u00f6ten in F oder Querfl\u00f6ten<br \/>\nin: \u201eDuettspielbuch f\u00fcr Altblockfl\u00f6ten\u201c<br \/>\n1964\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (7 Min.)<br \/>\n<i>H\u00e4nssler, 1966 \/ 1992 Carus CV 11.116<br \/>\n<\/i><i>LP Corona SM 30 001<\/i><\/p>\n<p><b>Estampie<br \/>\n<\/b>f\u00fcr Fl\u00f6te, Viola und Cembalo<br \/>\n1964\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (6 Min.)<br \/>\n<i>H\u00e4nssler 1969 \/ 1992 Carus<br \/>\n<\/i><i>CV 16.011<\/i><\/p>\n<p><b>Sechs Choralvorspiele<br \/>\n<\/b>f\u00fcr Blockfl\u00f6tenquartett<br \/>\nin: \u201eChoralvorspiele f\u00fcr zwei bis vier Blockfl\u00f6ten\u201c<br \/>\n1966\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (12 Min.)<br \/>\n<i>H\u00e4nssler 1973 \/ 1992 Carus<br \/>\n<\/i><i>CV 11.123<\/i><\/p>\n<p><b>Dialoge<br \/>\n<\/b>f\u00fcr Violoncello und Klavier<br \/>\n1967\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (13 Min.)<br \/>\n<i>LP Corona SM 30 017<\/i><\/p>\n<p><b>Ode<br \/>\n<\/b>f\u00fcr Harfe solo<br \/>\n1971<b>\u00a0<\/b><\/p>\n<p><b>Ballade des Dames du temps jadis<br \/>\n<\/b>f\u00fcr Marimbaphon, Vibraphon, Glockenspiel, Glocken, kleine Trommel, Tom-Tom, Bongos, Gongs, Becken und Triangel<br \/>\n1972\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<\/p>\n<p><b>Serenade<br \/>\n<\/b>f\u00fcr Blockfl\u00f6te, Gitarre, Viola da Gamba und Cembalo<br \/>\n1973\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (3 Min.)<\/p>\n<p><b>Solitude<br \/>\n<\/b>Suite f\u00fcr Altblockfl\u00f6te, Oboe d\u2019 Amore, Viola da Gamba und Cembalo<br \/>\n1979\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (12 Min.)<\/p>\n<p><b>Zwei Choralphantasien<br \/>\n<\/b>f\u00fcr Fl\u00f6te solo<br \/>\n\u201eDer Tag bricht an\u201c<br \/>\n\u201eEs ist genug\u201c<br \/>\nin: \u201eNeue Choralmusik f\u00fcr Querfl\u00f6te solo\u201c<br \/>\n1979\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<br \/>\n<i>Carus, 1994, CV 13.069<\/i><\/p>\n<p><b>Streichquartett<br \/>\n<\/b>1980\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (15 Min.)<br \/>\n<i>CD BR 100 047<\/i><\/p>\n<p><b>Kanonische Dekade<br \/>\n<\/b>f\u00fcr Fl\u00f6te, Oboe, Klarinette, zwei Trompeten, Posaune und Streichquintett<br \/>\n1980\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (6 Min.)<\/p>\n<p><b>Sonata in ricordo di Domenico Gabrielli<br \/>\n<\/b>f\u00fcr Violoncello und Klavier<br \/>\n1981\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (15 Min.)<br \/>\n<i>M\u00f6seler, 1982, M. 20.713<br \/>\n<\/i><i>CD BR 100 047<\/i><b>\u00a0<\/b><\/p>\n<p><b>Sapphische Strophen<br \/>\n<\/b>f\u00fcr Violoncello, Fagott und Klavier<br \/>\n1981\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (15 Min.)<br \/>\n<i>CD BR 100 090<\/i><\/p>\n<p><b>M\u00e9ditation sur A-S-C-H<br \/>\n<\/b>f\u00fcr Violine solo<br \/>\n1983\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (9 Min.)<br \/>\n<i>Hansen, 1986, EHF 1064<br \/>\n<\/i><i>CD BR 100 048<\/i><\/p>\n<p><b>Threnos<br \/>\n<\/b>f\u00fcr Fl\u00f6te und Klavier<br \/>\n1984\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (7 Min.)<br \/>\n<i>CD Ars\/FCD 368 306<\/i><\/p>\n<p><b>Pastorale<br \/>\n<\/b>f\u00fcr Fl\u00f6te, Oboe und Cembalo<br \/>\n1984\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (6 Min.)<\/p>\n<p><b>Duo<br \/>\n<\/b>f\u00fcr Violine und Klavier<br \/>\n1984\/85\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (15 Min.)<\/p>\n<p><b>Drei Madrigale<br \/>\n<\/b>f\u00fcr zehn Violoncelli nach Gesualdo da Venosa<br \/>\nI. Dolcissima mia vita<br \/>\n<i>CD BR 100 048<br \/>\n<\/i>II. Ahi, gi\u00e0 mi discoloro<br \/>\nIII. Itene, \u00f2 miei sospiri<br \/>\n1985\/86\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (12 Min.)<\/p>\n<p><b>Vier Bagatellen<br \/>\n<\/b>f\u00fcr Violine und Klavier<br \/>\n1986\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (7 Min.)<\/p>\n<p><b>Marginalien<br \/>\n<\/b>f\u00fcr zwei Kontrab\u00e4sse<br \/>\nzu einem Madrigal des Johannes de Florenzia<br \/>\n1986\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (7 Min.)<b>\u00a0<\/b><\/p>\n<p><b>Sogno di una Sonata<br \/>\n<\/b>f\u00fcr Violine und Klavier<br \/>\nnach W. A. Mozart, Sonate KV 296<br \/>\n1986\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (11 Min.)<\/p>\n<p><b>Drei Duette<br \/>\n<\/b>f\u00fcr Violoncello und Fagott<br \/>\n1986\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<br \/>\n<i>CD BR 100 090<\/i><\/p>\n<p><b>Sieben Miniaturen<br \/>\n<\/b>f\u00fcr Tuba solo<br \/>\n1987\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<\/p>\n<p><b>\u201eIm Tal der gr\u00fcne Rosmarin\u201c<br \/>\n<\/b>f\u00fcr Fl\u00f6te, Violoncello und Klavier<br \/>\n1987\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (14 Min.)<\/p>\n<p><b>Hymenaios<br \/>\n<\/b>f\u00fcr Fl\u00f6te und Orgel<br \/>\n1987\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (3:30 Min.)<\/p>\n<p><b>Tetragramme<br \/>\n<\/b>f\u00fcr vier Violoncelli<br \/>\n1988\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<\/p>\n<p><b>Pentagramme I<br \/>\n<\/b>f\u00fcr Bl\u00e4serquintett<br \/>\n1989\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (14 Min.)<\/p>\n<p><b>Metamorphosen<br \/>\n<\/b>f\u00fcr Fl\u00f6te, Oboe und Klavier<br \/>\n\u00fcber ein Thema von R. Schumann<br \/>\n1990\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (12 Min.)<br \/>\n<i>MS Music Publications, 1992, MSM PT01<br \/>\n<\/i><i>CD BR 100 215<\/i><\/p>\n<p><b>Variationen<br \/>\n<\/b>f\u00fcr Violoncello und Klavier<br \/>\n\u00fcber ein eigenes Thema<br \/>\n1991\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (7 Min.)<b>\u00a0<\/b><\/p>\n<p><b>Trio lirico<br \/>\n<\/b>f\u00fcr Violine, Violoncello und Klavier<br \/>\nnach Texten von S. Monhardt<br \/>\n1992\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (16 Min.)<\/p>\n<p><b>Aquae Carolinae<br \/>\n<\/b>Trio f\u00fcr Trompete, Posaune und Klavier<br \/>\n1992\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (11:30 Min.)<\/p>\n<p><b>Pentagramme II<br \/>\n<\/b>f\u00fcr Streichquartett und Kontrabass<br \/>\n1993\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (14 Min.)<\/p>\n<p><b>\u201eIm Tal der gr\u00fcne Rosmarin\u201c<br \/>\n<\/b>f\u00fcr Fl\u00f6te, Oboe und Klavier<br \/>\n1993\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (14 Min.)<\/p>\n<p><b>Triade<br \/>\n<\/b>f\u00fcr Fl\u00f6te und Harfe<br \/>\n1994\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<\/p>\n<p><b>Oktett 1994<br \/>\n<\/b>f\u00fcr Klarinette, Horn, Fagott und Streichquintett<br \/>\n1994\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (21 Min.)<\/p>\n<p><b>Arion, Favola antica<br \/>\n<\/b>f\u00fcr Fl\u00f6te (Klarinette) und Klavier<br \/>\n1995\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (12 Min.)<\/p>\n<p><b>Orpheus und die Sirenen<br \/>\n<\/b>f\u00fcr Violine und Gitarre<br \/>\n1995\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (14 Min.)<\/p>\n<p><b>Trio<br \/>\n<\/b>f\u00fcr Klarinette, Violoncello und Klavier<br \/>\nnach Novalis-Fragmenten<br \/>\n1995\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (16 Min.)<br \/>\n<i>CD CAD 800 877<\/i><b>\u00a0<\/b><\/p>\n<p><b>Japanisch-deutsche Jahreszeiten<br \/>\n<\/b>f\u00fcr Fagott, Violoncello und Klavier<br \/>\nnach zehn Haikus des Komponisten<br \/>\n1995\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (18:30 Min.)<br \/>\n<i>CD BR 100 210<\/i><\/p>\n<p><b>Debussy-Variationen<br \/>\n<\/b>f\u00fcr Hornquartett<br \/>\n1996\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (13 Min.)<\/p>\n<p><b>Dialog mit Schubert<br \/>\n<\/b>f\u00fcr Violine, Violoncello und Klavier<br \/>\nZwei S\u00e4tze zu zwei Schubert-S\u00e4tzen (D 28 und D 897)<br \/>\n1997\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<br \/>\n<em>CD MD+G 303 0865-2W<br \/>\n<\/em><a href=\"http:\/\/www.ikuroedition.de\/autoren\/komma-karl-michael\/120\/dialog-mit-schubert-fuer-klaviertrio-1997\" target=\"_blank\">IKURO Edition<\/a><\/p>\n<p><b>Trio 1998<br \/>\n<\/b>f\u00fcr Violine, Violoncello und Klavier<br \/>\n1998\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (24 Min.)<br \/>\n<i>CD MD+G 303 0865-2W<\/i><\/p>\n<p><b>Quinta Essentia<br \/>\n<\/b>f\u00fcr Streichquintett<br \/>\n1998\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (7 Min.)<\/p>\n<p><b>Terzett<br \/>\n<\/b>f\u00fcr Fl\u00f6te, Klarinette und Trompete<br \/>\n1999\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (16 Min.)<\/p>\n<p><b>Divertimento<br \/>\n<\/b>f\u00fcr Oboe, Klarinette und Fagott<br \/>\n2001\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (12 Min.)<\/p>\n<p><b>Neun japanische Lieder<br \/>\n<\/b>f\u00fcr Violoncello und Klavier<br \/>\n2001\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (22 Min.)<br \/>\n<i>CD BR 150 210<\/i><b><br \/>\n<\/b><a href=\"http:\/\/www.ikuroedition.de\/autoren\/komma-karl-michael\/134\/neun-japanische-lieder-fuer-violoncello-und-klavier?c=2244\" target=\"_blank\">IKURO\u00a0Edition<b><br \/>\n<\/b><\/a><\/p>\n<p><b>Un Recuerdo di Tango<br \/>\n<\/b>f\u00fcr Fl\u00f6te und Gitarre<br \/>\n2001\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (5 Min.)<\/p>\n<p><b>Raveliade<br \/>\n<\/b>f\u00fcr Fl\u00f6te, Violine und Gitarre<br \/>\n2002\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (10 Min.)<\/p>\n<p><b>Aboriginal Song<br \/>\n<\/b>f\u00fcr sechs Violoncelli<br \/>\n2003\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (5 Min.)<br \/>\n<i>CD Le Voi<\/i><\/p>\n<p><b>Vier St\u00fccke<br \/>\n<\/b>f\u00fcr Kontrabass solo<br \/>\n2004\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (7 Min.)<\/p>\n<p><b>Vier St\u00fccke<br \/>\n<\/b>f\u00fcr Viola, Violoncello und Kontrabass<br \/>\n2004\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (7 Min.)<\/p>\n<p><b>Musica mundana<br \/>\n<\/b>f\u00fcr B-Klarinette solo<br \/>\n2006\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (12 Min.)<\/p>\n\n<script>\nvar zbPregResult = '0';\n<\/script>\n","protected":false},"excerpt":{"rendered":"<p>4.\u00a0 Kammermusik &nbsp; Musik f\u00fcr Blechbl\u00e4ser 1938\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (6 Min.) Ullmann Zweite Sonate f\u00fcr Violine und Klavier 1950\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (25 Min.) Sonate f\u00fcr Klarinette und Klavier 1952\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (16 Min.) Erstes Quartett f\u00fcr Fl\u00f6te, Violine, Viola und Violoncello 1955\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (14 Min.) Divertimento f\u00fcr [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":126,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-875","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/pages\/875","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/comments?post=875"}],"version-history":[{"count":6,"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/pages\/875\/revisions"}],"predecessor-version":[{"id":1235,"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/pages\/875\/revisions\/1235"}],"up":[{"embeddable":true,"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/pages\/126"}],"wp:attachment":[{"href":"http:\/\/www.mikomma.de\/pub\/wp-json\/wp\/v2\/media?parent=875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}